No.14
Full Issue [.pdf]
Music and Society - 1: ‘Serious’ Music — an ‘A-social’ Phenomenon? [.pdf]
John Shepherd
p.3-10
Howard Riley and ‘Non-Jazz’ [.pdf]
Malcolm Barry
p.12-16
Interview with John Cage [.pdf]
Alan Gillmor
p.18-25
Electronic Music Studios in Britain - 3: University of Durham [.pdf]
Peter Manning
p.27-29
Review of Milko Kelemen: Olifant, Milko Kelemen: Abecedarium, Gerhard Holzer: Concerto, Joseph Schwantner: Consortium, and Krzystof Meyer: Concerto da Camera [.pdf]
John Casken
p.31
Review of Birtwistle: The Triumph of Time [.pdf]
Keith Potter
p.31-32
Review of Anne Boyd: Angklung [.pdf]
Neil Sorrell
p.32-33
Review of New Music Vocabulary: A Guide to Notational Signs for Contemporary Music by Howard Risatti [.pdf]
Richard Orton
p.33
Review of Sound Structure in Music by Robert Erickson [.pdf]
Dennis Smalley
p.33-34
Review of Sound Sculpture: A Collection of Essays by Artists Surveying the Techniques; Applications; and Future Directions of Sound Sculpture, Ed. John Grayson, Environments of Musical Sculpture You Can Build: Phase 1 by John Grayson, and Biofeedback and the Arts: Results of Early Experiments, Ed. David Rosenboom [.pdf]
Richard Orton
p.34-35
Review of Feedback Papers 5-9 [.pdf]
Tim Souster
p.36
Review of Gavin Bryars: The Sinking of the Titanic; Jesus’ Blood Never Failed Me Yet, Christopher Hobbs; John Adams; Gavin Bryars: Ensemble Pieces, Brian Eno: Discreet Music, and David Toop; Max Eastley: New and Rediscovered Musical Instruments [.pdf]
David Roberts
p.36-38
Review of Roger Doyle: Oizzo No [.pdf]
Keith Potter
p.38
Review of Salzburg Seminar in American Studies [.pdf]
Norman Josephs
p.38-39
Review of SPNM Tenth Composers’ Weekend [.pdf]
Andrew Bentley
p.39-41
Review of Musics [.pdf]
Hugh Davies
p.41
Review of Nondon Recordings/Events [.pdf]
Dave Panton
p.41
Review of Bristol Musicians’ Co-Operative [.pdf]
Ian Menter
p.41-42
Review of Contemporary Music Network [.pdf]
Annette Morreau
p.42
Review of Experimental Arts Productions [.pdf]
Stanley Haynes
p.42-43
Published: Autumn 1976